Las Reproducciones del Oleo de Europa España no Mínimo

 
 


Pintura Identificación::  191
The Finding of Moses
La Busqueda de Moisés
1904
1904

   
 

 

 
   
      

GO HOME

Giovanni Battista Tiepolo

Italian Rococo Era Painter, 1696-1770

Pintura Identificación::  1613
The Finding of Moses
la Buesqueda de Moses
c1730 National Gallery of Scotland, Edinburgh
c1730 Galería Nacional de Scotland, Edinburgh
Italian Rococo Era Painter, 1696-1770

   
 

 

 
   
      

GO HOME

Paolo Veronese

Italian Mannerist Painter, ca.1528-1588

Pintura Identificación::  33507
The Finding of Moses
El Hallazgo de Moisés
mk86 c.1570-1575 Oil on canvas 50x43cm Madrid,Museo del Prado
1575 mk86 c.1570- elPetróleo en la lona 50x43cm Madrid, del de Museo Prado
Italian Mannerist Painter, ca.1528-1588

   
 

 

 
   
      

GO HOME

Bourdon, Sebastien

French, 1616-1671

Pintura Identificación::  33609
The Finding of Moses
El Hallazgo de Moisés
mk86 c.1650 Oil on canvas 119.6x172.8cm Washington,National Gallery of Art
mk86 C. 1650 Petróleo en la lona 119.6x172.8cm Washington, la Galería Nacional del Arte
French, 1616-1671

   
 

 

 
   
      

GO HOME

Giovanni Battista Tiepolo

Italian Rococo Era Painter, 1696-1770

Pintura Identificación::  40544
The Finding of Moses
El Hallazgo de Moisés
mk156 1730 Oil on canvas 202x342cm
mk156 1730 Engrasan en la lona 202x342cm
Italian Rococo Era Painter, 1696-1770

   
 

 

 
   
      

GO HOME

Tintoretto

Italian Mannerist Painter, ca.1518-1594

Pintura Identificación::  41281
The Finding of Moses
El Hallazgo de Moisés
mk161 Oil on canvas 30x52
el Petróleo mk161 en la lona 30x52
Italian Mannerist Painter, ca.1518-1594

   
 

 

 
   
      

GO HOME

Nicolas Poussin

French 1594-1665 Nicolas Poussin Galleries

Pintura Identificación::  43226
The Finding of Moses
mk170 1651 Oil on canvas 116x177.5cm
French 1594-1665 Nicolas Poussin Galleries

   
 

 

 
   
      

GO HOME

BREENBERGH, Bartholomeus

Dutch Baroque Era Painter, ca.1598-1657

Pintura Identificación::  52612
The Finding of Moses
1639 Oil on panel, 48 x 81 cm
Dutch Baroque Era Painter, ca.1598-1657

   
 

 

 
   
      

GO HOME

Gioacchino Toma

Italian , Galatina 1836 - Napoli 1891

Pintura Identificación::  67644
The Finding of Moses
Dimensions 156,7 x 193,8 cm
Italian , Galatina 1836 - Napoli 1891

   
 

 

 
   
      

GO HOME

Nicolas Poussin

French 1594-1665 Nicolas Poussin Galleries

Pintura Identificación::  82167
The Finding of Moses
Date 1638(1638) English: Oil on canvas Dimensions 94 x 121 cm cjr
French 1594-1665 Nicolas Poussin Galleries

   
 

 

 
   
      

GO HOME

Laura Theresa Alma-Tadema

(1852 C 15 August 1909 in Hindhead) was from 1871 the second wife of the painter Lawrence Alma-Tadema and a painter in her own right. A daughter of Dr George Napoleon Epps (who was brother of Dr John Epps), her two sisters were also painters (Emily studied under John Brett, a Pre-Raphaelite, and Ellen under Ford Madox Brown), whilst Edmund Gosse and Rowland Hill were her brothers-in-law. It was at Madox Brown's home that Alma-Tadema first met her in December 1869, when she was aged 17 and he 33. (His first wife had died in May that year.) He fell in love at first sight,and so it was partly her presence in London (and partly the fact that only in England had his work consistently sold) that influenced him into relocating in England rather than elsewhere when forced to leave the continent by the outbreak of the Franco Prussian War in July 1870. Arriving in London at the beginning of September 1870 with his small daughters and sister Artje, Alma-Tadema wasted no time in contacting Laura, and it was arranged that he would give her painting lessons. During one of these, he proposed marriage. As he was then thirty-four and Laura was now only eighteen, her father was initially opposed to the idea. Dr Epps finally agreed on the condition that they should wait until they knew each other better. They married in July 1871 and, though this second marriage proved childless, it also proved enduring and happy, with Laura acting as stepmother to her husband's children by his first marriage. The Paris Salon in 1873 gave Laura her first success in painting, and five years later, at the Paris International Exhibition, she was one of only two English women artists exhibited.

Pintura Identificación::  85686
The finding of Moses
1904(1904) Medium Oil on canvas Dimensions 137.5 x 213.4 cm (54.1 x 84 in) cyf
(1852 C 15 August 1909 in Hindhead) was from 1871 the second wife of the painter Lawrence Alma-Tadema and a painter in her own right. A daughter of Dr George Napoleon Epps (who was brother of Dr John Epps), her two sisters were also painters (Emily studied under John Brett, a Pre-Raphaelite, and Ellen under Ford Madox Brown), whilst Edmund Gosse and Rowland Hill were her brothers-in-law. It was at Madox Brown's home that Alma-Tadema first met her in December 1869, when she was aged 17 and he 33. (His first wife had died in May that year.) He fell in love at first sight,and so it was partly her presence in London (and partly the fact that only in England had his work consistently sold) that influenced him into relocating in England rather than elsewhere when forced to leave the continent by the outbreak of the Franco Prussian War in July 1870. Arriving in London at the beginning of September 1870 with his small daughters and sister Artje, Alma-Tadema wasted no time in contacting Laura, and it was arranged that he would give her painting lessons. During one of these, he proposed marriage. As he was then thirty-four and Laura was now only eighteen, her father was initially opposed to the idea. Dr Epps finally agreed on the condition that they should wait until they knew each other better. They married in July 1871 and, though this second marriage proved childless, it also proved enduring and happy, with Laura acting as stepmother to her husband's children by his first marriage. The Paris Salon in 1873 gave Laura her first success in painting, and five years later, at the Paris International Exhibition, she was one of only two English women artists exhibited.

   
 

 

 
   
      

GO HOME

Nicolas Poussin

French 1594-1665 Nicolas Poussin Galleries

Pintura Identificación::  85779
The Finding of Moses
Oil on canvas Dimensions 94 x 121 cm cyf
French 1594-1665 Nicolas Poussin Galleries

   
 

 

 
   
      

GO HOME

Paolo Veronese

Italian Mannerist Painter, ca.1528-1588

Pintura Identificación::  91310
The finding of Moses
circa 1580 Medium oil on canvas cyf
Italian Mannerist Painter, ca.1528-1588

   
 

 

 
   
      

GO HOME

Paolo Veronese

Italian Mannerist Painter, ca.1528-1588

Pintura Identificación::  91311
The finding of Moses
circa 1580 Medium oil on canvas cyf
Italian Mannerist Painter, ca.1528-1588

   
 

 

 
   
      

GO HOME

Giuseppe Simonelli

(Naples, c.1650 - 1710) was an Italian painter. Born in Naples around 1650, Simonelli was one of the most important painters of the school of Luca Giordano. His early works were often retouched by Giordano to such a degree that some of them were confused with those of the master. He learned Giordanoes art so well that when the master left Naples for the Spanish court in 1692, he was assigned the task of completing the unfinished Neapolitan works for delivery to clients. Reliable details of his own production are available as from 1686, when he received the final payment for a painting of Holy Martyrs for the Jesuit college in Trapani. His most celebrated works are the series of 28 paintings for the Church of the Annunziata in Aversa, produced between 1702 and 1703 together with his brother Gennaro. He worked continuously right up to his death in 1710.

Pintura Identificación::  93056
The Finding of Moses
between 1680(1680) and 1690(1690) Medium oil on canvas Dimensions Height: 64 cm (25.2 in). Width: 77 cm (30.3 in). cjr
(Naples, c.1650 - 1710) was an Italian painter. Born in Naples around 1650, Simonelli was one of the most important painters of the school of Luca Giordano. His early works were often retouched by Giordano to such a degree that some of them were confused with those of the master. He learned Giordanoes art so well that when the master left Naples for the Spanish court in 1692, he was assigned the task of completing the unfinished Neapolitan works for delivery to clients. Reliable details of his own production are available as from 1686, when he received the final payment for a painting of Holy Martyrs for the Jesuit college in Trapani. His most celebrated works are the series of 28 paintings for the Church of the Annunziata in Aversa, produced between 1702 and 1703 together with his brother Gennaro. He worked continuously right up to his death in 1710.

   
 

 

 
   
      

Giuseppe Simonelli
(Naples, c.1650 - 1710) was an Italian painter. Born in Naples around 1650, Simonelli was one of the most important painters of the school of Luca Giordano. His early works were often retouched by Giordano to such a degree that some of them were confused with those of the master. He learned Giordanoes art so well that when the master left Naples for the Spanish court in 1692, he was assigned the task of completing the unfinished Neapolitan works for delivery to clients. Reliable details of his own production are available as from 1686, when he received the final payment for a painting of Holy Martyrs for the Jesuit college in Trapani. His most celebrated works are the series of 28 paintings for the Church of the Annunziata in Aversa, produced between 1702 and 1703 together with his brother Gennaro. He worked continuously right up to his death in 1710.
The Finding of Moses

        
 
   
 

Send  Us Email:    intofineart@hotmail.com

IntoFineArt Co,.Ltd.